ghostrickbara:

makaiwars:

So it’s my little sisters birthday

jesus christ pIVI
ghostrickbara:

makaiwars:

So it’s my little sisters birthday

jesus christ pIVI
ghostrickbara:

makaiwars:

So it’s my little sisters birthday

jesus christ pIVI
ghostrickbara:

makaiwars:

So it’s my little sisters birthday

jesus christ pIVI

ghostrickbara:

makaiwars:

So it’s my little sisters birthday

jesus christ pIVI

(via sonic-sez)

when people try to speak on the behalf of entire fandomsimage

(via someponythatiusedtoknow)


I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

I CANNOT TELL YOU HOW MANY TIMES I’VE QUOTED THIS WITHOUT ANYONE NOTICING

(via spoken-not-written)


The Houses of Hogwarts.

The Houses of Hogwarts.

The Houses of Hogwarts.

The Houses of Hogwarts.
signedfury:

realest plot-twist ever.
signedfury:

realest plot-twist ever.
asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.





asylum-art:

Joaquin Jara
Barcelona, 1977
Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.
 The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.

asylum-art:

Joaquin Jara

Barcelona, 1977

Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.

The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.

(via asylum-art)

more-red-more-blue-more-beer:

lyxdelsic:

boys unbuckling their belts is the hottest thing in the world tbh

i read this as “seat belts” and i was like “no stay safe”

(via lennonade)